Jean Durand takes a break from split-reel slapstick comedies to direct a two-reel melodrama about two men racing to stake a claim on a gold field in Nebraska. He uses some of his stock company in some of the smaller roles, to produce a a fairly good effort, too.
The tension is kept up by the fact that both men will do whatever it takes to win their race, one traveling by train -- in apparently a very circuitous route -- and the other by whatever means comes to hand: horse, automobile, it makes no difference.
Durand, who certainly was not averse to using a lot of camera tricks in his comedies, particularly the Onesieme series, uses remarkably short cuts for a French picture of this era and shows a real flair for composition, frequently changing the size of the frame not with masking, as was common in this era, but by background and foreground objects and screens -- credit the uncredited cameraman.
Although this is by no means a great movie, it shows up well for its era and I am very pleased that it is on the Kino Lorber set of early Gaumont pictures.
The tension is kept up by the fact that both men will do whatever it takes to win their race, one traveling by train -- in apparently a very circuitous route -- and the other by whatever means comes to hand: horse, automobile, it makes no difference.
Durand, who certainly was not averse to using a lot of camera tricks in his comedies, particularly the Onesieme series, uses remarkably short cuts for a French picture of this era and shows a real flair for composition, frequently changing the size of the frame not with masking, as was common in this era, but by background and foreground objects and screens -- credit the uncredited cameraman.
Although this is by no means a great movie, it shows up well for its era and I am very pleased that it is on the Kino Lorber set of early Gaumont pictures.