Directed by
| Ronald Neame | ||
Writing Credits (in alphabetical order)
| Michael Barrett | ... | (novel) |
| Robin Estridge | ... | (screenplay) |
| Dudley Nichols | ... | (uncredited) |
| William Wood | ... | (uncredited) |
Cast (in credits order)
Produced by
| Francisco Day | ... | associate producer |
| Ronald Neame | ... | producer |
Music by
| Lyn Murray | ||
Cinematography by
| Ellsworth Fredericks | ... | director of photography (as Ellsworth Fredricks) |
Editing by
| Eda Warren | ||
Art Direction by
| Eddie Imazu | ||
| Hal Pereira | ||
Set Decoration by
| Sam Comer | ||
| Frank R. McKelvy | ||
Costume Design by
| Edith Head | ||
Makeup Department
| Nellie Manley | ... | hair style supervisor |
| Wally Westmore | ... | makeup supervisor |
Second Unit Director or Assistant Director
| Tom Connors Jr. | ... | assistant director |
| Francisco Day | ... | second unit director |
Sound Department
| Charles Grenzbach | ... | sound recordist |
| Gene Merritt | ... | sound recordist |
Visual Effects by
| Farciot Edouart | ... | process photography |
| John P. Fulton | ... | special photographic effects |
Stunts
| Bob Herron | ... | stunts (uncredited) |
| Ted White | ... | stunts (uncredited) |
Camera and Electrical Department
| Irmin Roberts | ... | photography: second unit |
Costume and Wardrobe Department
| Joan Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Richard Mueller | ... | color consultant: Technicolor |
Music Department
| Edward B. Powell | ... | orchestrator (uncredited) |
| Louise Di Tullio | ... | musician: flute (uncredited) |
Additional Crew
| Sadik Amir Adeli | ... | technical advisor |
