User Reviews

It's a weird thing about this comedy-drama. I first saw it as a kid back in 1975 where it played almost constantly on HBO and was one of the first movies I ever recall seeing on cable TV. At the time I thought it was damn funny and ever since it became somewhat of a lost film until Anchor Bay released it to DVD several years ago. I couldn't wait to see it again. But when I finally revisited it on disc, I'd found that much of the magic had gone and I didn't think it held up quite as well. It's worth watching for sure if you're a fan of Carroll O'Connor or Ernest Borgnine, but still stacks up as kind of a slightly lost opportunity.

In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.

While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****

I thought this was a decent film; not a classic, but entertaining enough. The basic premise for me is that sometimes you get in over your head trying to be something that you are not. Guess you'd call this a dark comedy. Excellent acting, gritty scenes of New York life when it wasn't so pleasant, and a shockingly brutal ending makes this worth a look.

Carroll O'Connor and Ernest Borgnine were two of the biggest stars in 1974. Even though Borgnine was ever-enshrined as Lt. Commander Quinton McHale, on his hugely successful TV sitcom, McHale's Navy (1962-1966), since then, he had been more prevalent and busy, with his successful film career up to this point, with huge film hits like the Dirty Dozen (1967), the Wild Bunch (1969), and the Poseidon Adventure (1972). O'Connor was, of course, enjoying the success of his hugely popular TV sitcom, All in the Family (1971-1979), that was beginning its season five, when Law and Disorder (1974), was released in theaters. This film utilized those popular aspects, that made these two guys famous, especially Archie's parenting/husband skills and McHale's ability, to lead miscreants into battle. They also are synonymous with comedy, so Law and Disorder (1974), immediately establishes itself as a comedy-drama, about two New York City guys, Cy, the hair-stylist (Borgnine) and Willie, the cabdriver (O'Connor).

Ann Wedgeworth plays O'Connor's wife, Sally. Karen Black plays Gloria, who works with Cy at the hair salon. She's nuts in this movie. Unfortunately, her character felt a little bit over-the-top, but if crazy is what the director, Ivan Passer wanted, he got that successfully. Alan Arbus has a small role in the film too. He's most famous for being Dr. Sydney Freeman on the highly successful TV-Sitcom, M*A*S*H (1972-1983). He plays a psychologist in Law and Disorder (1974), which is, almost, the same occupation as Dr. Freeman, already in his reoccurring, third season on M*A*S*H (1972-1983). Law and Disorder (1974), is a dark-comedy, with a hodgepodge of interesting characters, not really attempting to get you to like them, so don't look for anything, like character appreciation or vicarious inspiration. They are just trying to live their lives in the urban streets of 1970s New York.

After a slew of clever robberies, home-invasions, as well as, an old trench-coat flasher, the people of this New York City neighborhood, ask to join the civilian-led, Police Auxiliary Force, in order to help enforce the laws. Alan Arbus' Dr. Richter, has to teach a class-lecture on rape, to the new Police Auxiliary Force recruits. It's a comedy crime-drama, with a lot of 1970s street-talk. Being as it is the early 1970s, with a story about out-of-control, street crime, Law and Disorder (1974), does have sign-of-the-times humor and situations, that may be too intense for some sensitive, 21st century viewers. It is after all, rated-R for a reason, so keep the kids out of the room when watching this film. As Cy and Willie get their squad together, the film begins to resemble Police Academy (1984), which makes both men think, they may have made a huge mistake with this idea. But, despite that, they push along. The film starts to turn a little dramatic and dark in the last third of the story, with an ending I wasn't expecting.

PMTM Grade: 6.7 (C-) = 7 IMDB.

This is truly one of the best serio- comedies I have ever see! The edited version shown rarely on TV does not do this film justice. If you haven't seen the un-edited version, you're missing an outstanding film. I have been looking for this film for over 20 years, but no luck. I would love to see it again, but it is on "moratorium."

It has been many years since I saw this on TV. Two regular Working class Joe's, Ernest Borgnine and Carrol O'Connor, decide to formulate their own Volunteer Police force in their NYC neighborhood. Fed up with the rampant crime that pervades their area, both of these two buddies eventually learn they are in over their heads. Carrol O'Connor is always entertaining, especially when he rides on the Coattails of his famed character from "All in the Family" in a more subtle version. It's really hard to shake off that character, especially in 1974 when the sitcom had reached the height of its popularity.And with his equally tough and gruff friend, Ernest Borgnine, we are hoping these two will become heroic bad ass renegades that make a difference in cleaning up the streets. But things just don't turn out that way. Willie, Carrol O'Connor, gets discouraged by the job too soon before his irascible partner (Cy), Ernest Borgnine, grows increasingly frustrated into madness. The casting of these two is correct. But here their chemistry barely makes this drab film watchable. Unfortunately, O'Connor's wife is played by a much younger woman, Ann Wedgeworth, surpassing credulity. And would you accept Ernest Borgnine as a beautician? The crusty old-school humor with personal barbs, racial epithets and vulgarity may put off modern audiences. This forgotten film is a product of its time. Several scenes and one liners are memorable, but the treatment of the subject matter is too farcical to be taken seriously. A scene in a diner with Willie and his wife is inappropriately downbeat and bizarre. An awakening moment occurs when the buddy wannabee cops are driving the town in their makeshift patrol car. Cy notices a nearby crime scene, "hey let's go handle it. we're cops now aren't we?" "I don't know what the hell we are!", exclaims a confused Willie. And this is where the hope for an adventurous drama goes downhill. The supporting cast is filled with farcical caricatures which undermines the severity of the situation the main characters are in, leaving us duped and soured by the outcome of the final scenes. This was a strange attempt for a Black comedy that didn't quite fly.

Basically this was a film about a couple of blue collar NYC guys that are fed up with their city. They are great friends and organize an auxiliary police force. Getting caught up in this venture, they take this way too seriously and like to believe they are real cops. Gradually , they become out of control. This film had some of the funniest moments but out of nowhere, reality would hit. I liked the film and felt it was a very creative effort. Some wonderful scenes featuring Karen Black , in what may have been her best performance, as an over the top hairdresser. You also had an actor named J. Frank Lucas as a flasher who was funny. Perhaps the best character in the film was Gary Springer billed as the F.U. Kid. I am not making this up folks. It is right here on IMDb. The couple scenes Mr. Springer participated, were worth the price of admission, back in the day. In summation, I would say this is a dramady , with more emphasis on comedy than drama. Be prepared for some harsh moments and appreciate the great comic moments, of which there are many.

Neighbors in a New York City co-op join their local precinct's auxiliary police force to fight the crime dominating their once-peaceful streets. Any movie comedy attempting jokes on robbery and rape isn't going to be pretty, but it should be nimble enough to successfully tread the line between satire and the reality we see every night on the TV news. Director Ivan Passer, who also co-wrote this grossly exaggerated farce with Kenneth Harris Fishman and William Richert, isn't trying to make a statement on life in the Big City, he's just sending it up (the relatively sober conclusion is meant to be ironic, I suppose, but what's the point after all the cheap gags foisted at us?). The ugly conception of the jokes coupled with an ungainly presentation and broad performances quickly turn the film into a sour enterprise--an extension of the themes in "Little Murders" but with a sitcom undermining. Pairing Carroll O'Connor (then-hot from TV's "All in the Family") in a commercial enterprise with eternally-frustrated Ernest Borgnine must have seemed surefire, but only O'Connor comes through with a legitimate characterization (would you believe Borgnine as a beautician?). The supporting cast is encouraged to ham and mug, while the theme of the picture--urban decay--is treated shallowly for crass laughs. *1/2 from ****

Having not seen this film for over 20 years, and remembering how great it was as a kid seeing it on cable, I was very happy (and surprised!) to see it released on DVD and picked it up immediately. I discovered it was a lot funnier when I was a kid, although making up for that was watching two great stars like Carroll and Ernest, as well as all the NYC locations, as I've always been a fan of NYC films, my hometown.

One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.

The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.

If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.

In view of all the positive reviews here I really feel the need to add a touch of balance.

As a comedy "Law and Disorder" is pretty heavy-handed and from my (British, 2022) perspective it didn't raise many laughs at all (my partner wanted to switch off after 20 mins, I watched the rest by myself out of sheer doggedness).

As a story it is completely aimless, veering from cameo to cameo without any real sense of direction.

The film had potential as a gritty drama, yet the weighty end scenes seemingly had no precursor in the silliness that occupied the other three quarters, leaving me wondering what the heck it was all about.

On the plus side it's hard not to respond to the screen presence of Borgnine and O'Connor, woefully under-used here, even though one or two of the cameo scenes were compelling. I guess that's why I wanted to like it. And consciously or otherwise, the film carries a message about respect for others, and how violence begets violence, which the would-be cops themselves seemed unable to grasp. I'd like that to have been the point of the film, but I fear ultimately it didn't have one. I wouldn't bother watching this mash again. Which is a shame.

During the hiatus of "All in the Family", Carroll O'Connor starred in this feature film about a couple of New York guys who join the auxillary police force in order to clean up the neighborhood. I'll just say this film meanders quite a bit with many comic interludes of which some of the funniest involves Carroll's co-star Ernest Borgnine. Karen Black is also a hoot as Borgnine's not-so-helpful hairdressing assistant. The way it all ends is quite bittersweet. So on that note, I highly recommend Law and Disorder. P.S. This review is dedicated to the late Ann Wedgeworth-playing O'Connor's wife here-who passed a few months ago.

This movie is basically a slice-of-life drama about working class people trying to maintain some order when, as Hamlet said, "the time is out of joint". It's plotless and episodic, and the tone changes from broadly comic early on to utterly nightmarish by the end. It has tons of authentic New-York-in-the-'70's atmosphere (it would play well on a bill with TAKING OF PELHAM 123 or SERPICO), and was, of course, actually shot there. The racial tensions, the collapse of the system, the oddballs, the hopelessness -- they're all there. And the performances are quite good -- neither O'Connor nor Borgnine has ever been better.

If you know what to expect, you will probably enjoy it very much. There are a few negative reviews from people who were obviously expecting a straight comedy... that's not what this movie is.

Given the talent of the two stars of this film (who incidentally happen to be among my favorite actors), I was surprised at how much I really disliked this movie. I will admit that the cinematogrophy was great, really capturing the New York City of the mid-seventies. However, the lack of plot really disappointed me. The film goes nowhere fast, it was all that I could do to keep awake until the end. My brother picked up the DVD at K-Mart for $2.95, but it wasn't even worth that low price. If you must insist on seeing this piece of garbage, however, I recommend the DVD purchase (at the aforementioned low price), as it would be easier to fling like a Frisbee than the VHS version!

-Den Corleone