Directed by
George Kaczender |
Writing Credits
Stephen Vizinczey | ... | (novel) |
Paul Gottlieb | ... | (screenplay) |
Barrie Wexler | ... | (narration: additional text) |
Cast (in credits order) verified as complete
Produced by
Harold Greenberg | ... | executive producer |
Claude Héroux | ... | producer (as Claude Heroux) |
Robert Lantos | ... | producer |
Howard Lipson | ... | associate producer (as Howard R. Lipson) |
Stephen J. Roth | ... | executive producer |
Music by
Tibor Polgár | ... | (as Tibor Polgar) (music composed by) |
Cinematography by
Miklós Lente | ... | director of photography (as Miklos Lente) |
Editing by
George Kaczender | ||
Peter Wintonick |
Art Direction by
Wolf Kroeger |
Set Decoration by
Csaba András Kertész | ... | (as Csaba Kertesz) |
Costume Design by
Olga Dimitrov |
Makeup Department
David Beckett | ... | hair styles |
Jocelyne Bellemare | ... | assistant makeup artist |
Michèle Dion | ... | makeup artist |
Jean-Max Guérin | ... | assistant hairdresser (as Jean Guérin) |
Production Management
Wendy Grean | ... | unit manager |
Roger Héroux | ... | production manager |
Second Unit Director or Assistant Director
Charles Braive | ... | first assistant director |
Daniel Hausmann | ... | second assistant director |
Ariane Ochrymouych | ... | third assistant director |
Art Department
Jean Bourret | ... | props assistant |
Csaba András Kertész | ... | set dresser (as Csaba Kertesz) |
Stéphane Reichel | ... | assistant art director (as Stephan Reichel) |
Norman Simpson | ... | property master (as Normand Simpson) |
Roméo Turcotte | ... | construction manager |
Kathy Wadas | ... | property buyer |
Sound Department
Henri Blondeau | ... | location sound |
Joe Grimaldi | ... | re-recording mixer |
Les Halman | ... | sound editor |
Larry Lynn | ... | boom man |
Ken Pagé | ... | post-sync effects (as Ken Page) |
Peter Wintonick | ... | assistant sound editor |
Camera and Electrical Department
John Berrie | ... | gaffer |
Jean-Yves Bruel | ... | still photographer |
Michel Paul Bélisle | ... | best boy lighting (as Michel-Paul Belisle) |
Pierre Davreux | ... | grip |
Attila Dory | ... | still photographer |
Yves Drapeau | ... | first assistant camera |
André Magny | ... | key grip |
Yves Paquette | ... | electrician |
Ernie Spiter | ... | camera loader (as Ernest Spiteri) |
Mario Toledo | ... | still photographer |
Casting Department
Howard Feuer | ... | casting: New York |
Karen Hazzard | ... | casting: Toronto |
Jeremy Ritzer | ... | casting: New York |
Costume and Wardrobe Department
Renée April | ... | wardrobe staff (as René April) |
Anne-Denise Carette | ... | wardrobe staff |
Chrylla Hagen | ... | wardrobe staff |
Jack Hay | ... | wardrobe staff |
Peter Horne | ... | wardrobe staff |
Ann Kewley | ... | assistant to costume designer |
Sylvie Laurier | ... | wardrobe staff |
Johanne Prégent | ... | dresser |
Editorial Department
Jim Campabanal | ... | negative cutter (as Jim Campabadal) |
Monika Dorfman | ... | assistant editor |
Location Management
Wendy Grean | ... | location manager |
Music Department
Moe Koffman | ... | orchestra coordinator |
Tibor Polgár | ... | conductor (as Tibor Polgar) |
Script and Continuity Department
Elaine Yarish | ... | script girl |
Additional Crew
Manon Bougie-Boyer | ... | production accountant |
Linda Browne | ... | production secretary |
Carol Campbell | ... | production services |
Alex Dukay | ... | production assistant |
Gary Greenspoon | ... | production assistant |
Allan Hitelman | ... | financial consultant |
Robert Lantos | ... | presenter |
Douglas Leopold | ... | unit publicist |
Harriet Lipson-Coulombe | ... | publicity assistant |
Jacques Pinard | ... | production assistant |
Stephen J. Roth | ... | presenter |
Rene Balcer | ... | production assistant (uncredited) |