A Broadway producer sends his writer to spy on Hal Leroy's new show.
We get to see Leroy in one of those Broadway shows that are shot on stages larger than the largest legitimate houses; given that this, and other Leroy shorts were made at Warner Brothers' Vitagraph studio in Brooklyn, this Busby-Berkeley staging was appropriate. Leroy was an eccentric dancer who hit Broadway in 1931, stealing the Ziegfeld Follies from the better known performers. Hollywood called, and he starred in a good movie version of the comic strip HAL TEEN. After that, no one quite knew what to do with him, so it was back on Broadway through 1942, then stock and night clubs.
We get to see Leroy in one of those Broadway shows that are shot on stages larger than the largest legitimate houses; given that this, and other Leroy shorts were made at Warner Brothers' Vitagraph studio in Brooklyn, this Busby-Berkeley staging was appropriate. Leroy was an eccentric dancer who hit Broadway in 1931, stealing the Ziegfeld Follies from the better known performers. Hollywood called, and he starred in a good movie version of the comic strip HAL TEEN. After that, no one quite knew what to do with him, so it was back on Broadway through 1942, then stock and night clubs.