Ghosthunter (2000) Poster

(2000)

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A short film with an A-list to die for!
cliftonstewart29 November 2000
With a cast boasting such stalwarts as Frank Finlay and shot under the watchful eye of Freddie Francis, Ghosthunter is not only graced with class acting and a strong visual style but also benefits from a memorable and considered soundtrack.

Given the constraints of the short film genre, notoriously underfunded, under-resourced and shot to cruelly tight deadlines, Ghosthunter sets a style and pace others would do well to learn from.

As a first film, Simon Corris has chosen the subject matter well, the traditional Gothic Ghost Story (always popular) with a contemporary twist. The direction is assured and tight, lingering when appropriate, not because he likes the shot!

But what is equally impressive is the list of actors, technicians and support he, along with producer Alison Reddihough (also credited as screenwriter), have been able to bring on board to the project.

If there are any criticisms it would be to do with the length, I fond myself wanting to know much more of the overall story, but then again, this bodes well for a sequel, or should that be prequel?
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4/10
production values great, story awful
jblackman8 February 2004
I saw this movie on the DVD that came with the creators' book "How to Make a Great Short Film: The Making of Ghosthunter." After seeing this short film, that title seems very audacious. Yes, the production values were incredible (looking almost as good as any Hollywood movie), but the story was very weak. That's what most filmmakers (independent or otherwise) seem to have forgotten about film... that it is first and foremost a storytelling format. It is not meant to be a display of technical marvel. A great script, even if it had been shot with an old VHS camcorder, would have been better than this
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10/10
A beautifully made short feature
coz11617 January 2001
This beautifully made, unusual, short film really pushes the boundaries of short filmmaking. Ghosthunter is an atmospheric ghost story that has a genuinely surprising and moving ending. Two lonely figures - Charlie (Frank Finlay) the Ghosthunter and Sarah (Alison Reddihough), the researcher - are brought together by ghostly disturbances in an English village. Together they unravel the mystery behind a haunted abandoned church. The acting is excellent and the production values are as good as a major feature film. The direction by Simon Corris is sensitive and confident and the music, by Barrington Pheloung compliments the increasing sense of menace. Highly recommended!!
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5/10
Technical Values Can't Save A Predictable Story
Theo Robertson24 February 2013
Warning: Spoilers
Being unemployed means I've got a lot of time on my hands . Sitting around watching movies and reviewing them on the IMDb is okay to a certain extent but I want a little bit more useful substance in my spare time so spend Friday afternoons in a film group alongside Graeme, George Alan and Jase . We have a short film in production at the moment written by George featuring a paedophille getting rough but well deserved justice . We're all contributing to a more or lesser degree ( Certainly lesser in my case ) so to tie in with behind the scenes production Graeme brought in the DVD of this movie and played the making of extra before showing us the film proper

Slight mistake on the part of Graeme with hindsight . You know when you watch a trailer for a film and it contains the final scene ? It's amazing how no one comes to the conclusion that the final denountment is featured in a trailer until after the audience has seen the movie . Not so here where a clip shows a character appearing to protagonist Charlie Fielding . Even watching this scene totally out of context you're totally aware that this will be the end of the story which meant the audience of my film class knew where the story was heading in before we saw the opening credits

This probably isn't a criticism since we were learning how to produce a movie not learning about narrative or story structure . The featurette itself mainly revolved around husband and wife team Simon Corris and Alison Redihough scraping together £22,000 to produce a short film in the hope that'll get them in the shop window with the hope of breaking in to feature length film production . One interesting point is that they've wheeled out some big names such as Freddie Francis as part of their big gun technical crew . One wonders therefore why they used inexperienced cinematographer Gavin Struthers ? Did they not have the budget to use Francis himself ?That said the technical aspects of the production are impressive

As it stands storywise GHOSTHUNTER is a very gentle , very English type of ghost story revolving around parapsychologist Charlie Fielding who talks to the dead . Interesting that despite having these talents he never accepts money from the people who employ him . Don't you see he's a good guy and as you might expect in this type of story good things alwayshappen to good guys so we have a predictable story without any cynicism which might appeal to some people but did little for me
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10/10
A tremendous short
dpeabody4 January 2002
I came across this film after buying the book, "How to make great short feature films", and watching it on the accompanying DVD. I must admit that I was a little sceptical at first as the title to the book is rather subjective - but I was BLOWN AWAY! From what I understand this is their first foray into filmmaking, gulp!

A film like this should have cost five times its budget so it made me a little curious about the production company behind the film. A visit to their website confirmed what I suspected - an up and coming company that knows what it wants to do and appears to be going about the business of getting there effeciently and confidently. They already have a selection of feature films on their slate and if their short is anything to go by...

What I'd like to know is, will there be a follow up to their short film book called, "How to make your first great feature"?
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