User Reviews

Spirtokouto is a really unique film, and takes guts and a great deal of patience to follow. The name, meaning matchbox, is probably meant to suggest the extreme temper of the head character. He actually reminds me a lot of my own father, so I believe the screenplay is fairly realistic. I think this movie is a really good try by the Greek director Giannis Ekonomidis, and it's a really interesting and different one. Everything's promising about it. Not exactly perfect, nothing like the masterpiece "Apo Tin Akri Tis Polis" which I think is the best Greek movie ever; but still pretty good and definitely watchable. I'm looking forward to seeing other movies featuring the cast and the director. Recommended! 7/10

I became interested in watching Spirtokouto after reading an interview with Yiannis Economidis. I was intrigued by his views on realism and on how films should, among other things, pull no punches when depicting the painfulness of dysfunctional families. In that respect, Spirtokouto is very much on the mark. However, I found the movie started grating on my nerves after about 30 minutes. As it progressed I felt like switching off my DVD, but I finally decided to give Economidis the benefit of the doubt. The movie does have some positive elements. Erricos Litsis (Dimitris) and Eleni Kokkidou (Maria) give very compelling performances and have all the venom you'd expect to see in a middle-aged couple trapped in their marriage. But, unfortunately, after a certain point the shouting and insults start appearing gratuitous. When the movie ended I heaved a sigh of relief, glad that it was over. Spirtokouto is not a good example of modern Greek cinema, despite the fact that Economids is capable of better things.

When this movie came out, it polarized audiences due to the heavy and continuous use of vulgar cussing. It was so over the top, that many, even today consider it to be a comedy-an absurd one at that- and you know what? It does come off as one to an extent.

However, if you take the time to look deeper and try to understand the connection with the average modern Greek decadent suburban family, you will discover another layer of filmmaking, full of realism and raw motion. The characters may feel over the top but I believe it was done on purpose, to convey how horrific every-day life for some people can be. From the father and the mother down to their kids, a feeling of pure social decay permeates.

It's this duality that makes the film interesting in my eyes. It doesn't shove its message in your face but it's there for you to discover if you want to take the time. If you just want to spend some time watching excessive cussing and laughing at all the ludicrous situations that unfold, then you're perfectly welcome to do that. The 18 year old me sure did!

The cynical mid-thirties me is lifting the veil of crude comedy to look what's beneath, whenever I stumble on this film in TV.

The actors performance is unmatched. The storyline emphasis is on inner family relationships. The priorities of the family members, the father figure that although means well, he is discredited due to his manners and short temper.

It has a lot to provide to the audience, and requires deep thought and understanding of the characters. The mother figure is shocking. The realism of the film is phenomenal and leaves with unanswered questions, it does not attempt give a clear solution nor an explanation, it just shows the conditions that sadly are more than common specially in west suburbs of Athens.

The verbal insults are emphasised and my personal opinion is that this is so because they shape the reality of the family life. Although in the family they show to be ignored, as in common language, they are copied by the children, and shape their characters.

The father figure focuses on his business and money, while gives a dictator attitude believing its the right way to raise the family as he feels everybody else is incompetent. This attitude is reflected by the indifference and hate of the family towards the father.

The directorhas managed to provide a modern time tragedy.

Features: The father with the archetypes of the 50's applied to modern society, monocrat, strong short-tempered. The role of the mother in shaping the character of the family.

The children who become identical to the parents they have rejected. Overall its a film that requires prior experience (I know I have) to understand the realism of the characters deeply and shows the interactions at multiple levels. Excellent work by Yiannis Economidis.

"Spirtokouto" -> Matchbox metafor of a "small house", if one match burns in the box, all of them are set on fire, burning the box too. (My personal metaphor translation)

Great movie ! Great Acting ! Economidis made a powerful real film - everybody has to see that unique Greek production.One of the best Greek movies I've seen the last years unfortunately without the success it deserves!

Everybody at "Spirtokouto" lives in his own world making the leading role Dimitris(father)going crazy...

Never before such realistic movie and dialogues heard in Greek cinema!!! Erricos Litsis,Eleni Kokkidou,Aggeliki Papoulia perfect performing!

Looking forward to more Yannis Economidis

Very rarely a film can capture the thin line between sanity and insanity in our daily lives. The director manages to detail the drama of a dysfunctional family without being overly dramatic, no good guys, no bad guys, just people on the verge of a nervous breakdown. His use of the anti-aesthetic works perfectly and adds to the built up of the storyline.

This is not a "Greek" movie. This family can be found anywhere where urban migration run amok. It could be south American, Mediterranean, or any other industrial country.

All in all a great film, not for everyone, but definitely worth watching!

This is noise pollution, not a film! Just ninety minutes of unsympathetic people shouting at each other. Obviously, the director was trying to create a tense atmosphere and keep viewers on the edge, but what comes out is a pointless assault to your eardrums. Ever tried to fall asleep but couldn't because of the bastard neighbours? Yeah, this film is something like that. My friend saw the trailer like, ten years ago, and he still couldn't shrug off the cacophonous disharmony created by the main character's voice. OK, maybe some of you think it will be a good idea to turn down the volume and watch it with the subtitles on but in terms of visuals it's about as impressive as a you tube video!

One of the greater films ever made in Greece.

A "hardcore snapshot" of Greek reality given by excellent performance from the actors.

The raw truth about the roles inside a typical family in modern Greece filmed by a unique way from Giannis Oikonomidis Dimitris,Maria,Kiki,Giorgos,Vagelis and Loukas could be our father, our mother our sister, brother or friend, our neighbour, or the the owner of the store at the corner, who always fighting with his family for no reason. And at the end everybody is happy and they continue there lives like there's nothing happened.

It is a completely awful movie without any substantial plot. The characters are doing nothing else but screaming and insulting each other and they don't play their role naturally in some scenes. It's an effort to put out a Greek family with problems but this is done very extravagantly. I was tired during watching the movie. I expected something better. The characters seem to insult and shout just only to provoke. I think it's a patchwork without making any sense. It's definitely unsuitable for children or people who can't tolerate the abuse and the movies of type "lets write something quickly just to produce a film". There is no use of vocabulary's variety and no level. They humiliate the Greek family. So, if you don't like the nerves' war with the bad meaning, then don't watch that movie.

"Spirtokouto" is a movie that is really hard to watch. From the very beginning till the very end, one can sympathize with the main character, who suffers diverse psychological deaths (as depicted by black-and-white stop shots).

"Spirtokouto" is the greek word for matchbox. People who resemble matches and only need some stimuli to be on fire.

Despite that it is a gripping movie from the very first scene, "Spirtokouto" is a bit excessive, as far as verbal violence is concerned. Also, the viewer can't figure out much about the characters' past, except perhaps for the part of Dimitris (Mitsos ;)) which is developed fairly well. Even so, the movie is more than a mere depiction of the miserable life of a Greek family which might very well exist.

The writers manage to discuss successfully several aspects of every day life in Greece and even discuss some social phenomena. While one cannot argue of course that what is presented is typical of a greek family, it might well be said that it is not a very distant reality for a part of the greek population.

Despite any disadvantages, the film a noticeably good try about society, it could be an example of realistic film-making that is definitely worth seeing. 7.5/10

Its a film about a non ordinary day of a non ordinary family that has maximum tense and zero tolerance for each other. The rhythm is furious and the shocking language keeps the interest to the highest degree. The family is totally non functional and clearly everyone has its own agenda and set of priorities A hot day in the middle of the summer is the perfect ignition for a non stop blame game between members of middle - low class family in an ugly Athenian suburb. Errikos Litsis is simply unforgettable in the role of the father as he has to cope with all members of the family without having any thing to lose any more. There are lines and scenes difficult to forget in this "slice of life" movie by Y. Economides. The language is totally sharp and some times goes to the limit but this is totally supported by the script and by the "stormy" rhythm of the film. Surely the best film of Y. Economides and one of the surprises of the Greek independent cinema.

Not for the faint at heart. It is the ugly truth naked. Economides is a genre of his own. Brutal realism that takes no hostages. Cult and substential.

I regret wasting 90 mins of my life on this movie. It's the story of a deranged family and how they make each other unhappy. There is no plot. There is no climax. There is no ending. There is no hope. It's like a documentary of sadness.

What can anyone say about this film? So claustrophobic and raw, that in the end, it isn't for anyone. Whilst some people see only green trees and white clouds, somewhere else, inside small houses and not so small famillies, the butchery continues. It needs not to be physical. The hateful stares, the each other's ignorance, the disorientation, the false priorities, the drowning in a a small teaspoon of water are an everyday . Under the heat of the greek summer, are you ready to see through the keyhole?

The first impression which is going to be created in viewers' minds is that why is this film named "Matchbox" ? Yeah, it is true that all the film's actors are angry. Does that mean that the film should be titled "Matchbox" ? If the same logic is applied than its name should have been "red tomato ketchup". There is no clue to this in the film. Greek cinema is known because of masters like Angelopoulos, Pantelis Voulgaris etc. For those who wish to explore more of Greek cinema, Yannis Economidis' film "Matchbox" would come as a great shock.It is with firm conviction that I state that I am yet to come across any world cinema film in which the actors do nothing but hurl the best of filthy abuses on each other. This does not constitute a drawback for the film as it has its own virtue. One cannot term this film "low budget" but as it was entirely shot in the two rooms of a house, it can be assumed that the producer has not spent mega bucks for it. This is an ordinary Greek film which viewers would not like to remember for the rest of their lives.