(II) (1904)

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6/10
You Can't Take Your Eye Off Them for a Second!
boblipton1 October 2017
A mother puts her child down in the yard for a moment to go into the house. While she is out of eye shot, he scoots into the playhouse -- but from her viewpoint, the infant has vanished. She attacks a passerby.

Not only does cameraman Billy Bitzer show his command of the camera, by composing the initial field to show the house and the yard, and then following the woman onto the street in a horizontal pan, but this is a good basic type of comedy, in which the audience understands the situation is not at all dangerous, and therefore can look upon the emotions of the characters as overwrought -- and, indeed, as payback for the sin of neglect. It's primitive, but effective.
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Makes Good Use of the Material & The Basic Idea
Snow Leopard15 February 2005
This short comedy starts with a very simple idea, as do so many features of its era, but then makes good use of it to produce a rather amusing film. It is efficient in setting up the situation, and it shows a decent level of resourcefulness in stringing it out as long as possible, without becoming repetitive.

One of the things that is interesting is that right from the beginning, the audience already knows where "The Lost Child" happens to be, but the characters in the movie don't. It's a basic device now, but it was probably not nearly as commonplace in the movie's era, and it also works well. The child's mother behaves in a suitably excitable manner, and the level of frantic nonsense is built up steadily as it prepares for the finale.

Overall, it is an entertaining little feature that does a good job of capitalizing on its opportunities.
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