"Alfred Hitchcock Presents" Cell 227 (TV Episode 1960) Poster

(TV Series)

(1960)

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8/10
What a twist!
planktonrules12 April 2021
"Cell 227" is set on death row in some prison. The opening scene is VERY powerful, as one of the doomed men is losing his mind waiting for a reprieve that never arrives. During this scene, most of the fellow inmates cheer him on...trying to get him to relax and hope for the best. But 'the Professor' isn't about to try giving the man false hope, as he's a fatalist and knows the man is likely going to die. This irritates the other death row inmates...and he tries to act cool and undisturbed about his own upcoming execution. But as the episode progresses, you can see that he's trying to fool himself and others...he clearly is scared but is acting cool to hide this. He also refuses to help his lawyer in any way to push for a reprieve or stay of execution.

The twist in this episode is quite frightening and sad....and it makes for an incredibly powerful show. It also makes you think twice about capital punishment! Well written and Brian Keith is excellent in the lead.
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7/10
Pardon or Nothing
sol-kay2 August 2012
***SPOILERS*** Soon to be executed for a crime, the murder of a female student, that he swears that he didn't commit English professor Herbert Morrison, Brian Keith, is determined to die with dignity and not beg his jailers at the prison for his life in order to get a stay of execution. All that would do Morrison tells his fellow death row inmate Hannessy, James Best, is to prolong his suffering until he's finally gassed to death. All Morrison wants a full pardon exonerating him of of the crime he's been charged with and nothing else.

With the time for him to take a trip in to the gas chamber quickly dwindling down Morrison's hatred of the guard Pops Cafferity, James Westerfield, who leads condemned men like himself into the little green room becomes almost incontrollable. More then willing to meet his fate as well as his maker Morrison just can't stand the fact that Pops is getting his jollies in seeing him die just like he did when the young and terrified convicted murderer De Baca, Sal Ponti, died in the execution room the week before. It's just before he was to be strapped into the gas chamber that the cool as a cucumber Morrison suddenly flipped out attacking and breaking Pops neck killing him.

***SPOILERS*** Unknown to Morrison is that his lawyer Murray Bird, Frank Maxwell, got word to prison Warden Everly, Robert Carson, that the real killer of the person whom he was convicted of murdering confessed to his crime. Thus having Morrison being granted a full pardon which is what he always wanted! But with a new murder charge now hanging over his head all Morrison can do is wait from the enviable, the trip to the gas chamber, but that won't be the instant fix that he want's it to be! It would takes him some two to three years of both suffering on death row and realizing just what a jerk he was to make that all become a reality.
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7/10
Well Made
telegonus7 February 2019
Warning: Spoilers
Cell 227 is a well made Hitchcock entry, and while above average I don't rate it as one of the series best. It's a good story even as one can see the ending coming in the first five minutes. Brian Keith plays a college professor, Herbert Morrison, who's on death row, having been convicted of murder he did not commit.

Morrison's back story is vague, as the viewer gets to know little about him aside from his bitter rage against a system that has failed him. The man's integrity means more to him than his life; and he refuses to beg for mercy. For all this, Morrison comes across as more petty and mean spirited than dignified, and the show's final minutes bear this out.
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9/10
What a moving character
searchanddestroy-120 August 2019
It is so rare that an AH PRESENTS episode brings so much emotion, in which the audience may fell so much empathy for a character. The Brian Keith one is outstanding here as a man full of pride and dignity. I felt so pain for him, what a terrific ending, in the pure AH PRESENTS line, which reminded another episode about a condemned prisoner, in death row, who just about to be executed, and...But no spoiler in my comment. Just enjoy.
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7/10
"They won't do it to me."
classicsoncall24 December 2021
Warning: Spoilers
For a good while, I thought this episode was going the way of "Angels With Dirty Faces". That's the one where Jimmy Cagney's character acts tough as nails on death row, but breaks down at the last minute and begs for his life, although personally, I felt he did it to honor Pat O'Brien's request to 'turn yellow' so the juvenile delinquents in the story would see that the criminal would not go out like a hero.

In this story, Brian Keith portrays a former college professor and death row inmate facing execution for the murder of a student. Maintaining his innocence, he will only accept a full pardon rather than a stay of execution. While his attorney (Frank Maxwell) works on that request, Herby Morrison's (Keith) disdain for prison guard Pops Lafferty (James Westerfield) intensifies by the day, so that by the time he's marched off to the gas chamber, he violently turns on Lafferty and kills him in a brief struggle. Regular Hitchcock viewers can probably guess what happens next. At the same time Morrison hears he's been pardoned, he's also faced with a new murder charge, one that will actually stick.

Alfred Hitchcock himself got the last word though as he usually does. Noting how Brian Keith's character felt the need for retribution against the prison guard, Hitch suggested a more reasonable way to go when he stated "Revenge is sweet without being fattening".
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9/10
Well Written
Hitchcoc2 May 2023
Brian Keith plays a man on death row who is innocent. But he has come to realize the inevitability of his situation. He watches as others go to the gas chamber and realizes histrionics are of no use. He is a philosopher in his own right and stands tall. But there is something that gets to him that eventually takes him out. The script here is far superior to most of these that are sort of thrown together. There are some excellent conversations with a priest who doesn't cram religion down the throat of the man. He questions his passivity but it anger is under the surface and will out. Brian Keith is fantastic in this episode.
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