Paladin is on his way deep into Mexico to get Soledad (Lisa Montell) and escort her in to the United States when he comes across a young boy buried to his neck in the sand. Fortunately, whoever buried him has conveniently left the shovel behind and Paladin comes to the boy's rescue before he can be eaten by ants.
But then the boy Doroteo (Rafael Campos) turns on Paladin, taking his gun and horse. Paldin walks to his new employer and discovers Doroteo is the reason the rancher wants him to get Soledad out of the country.
Campos is pretty good as the wild young Mexican outlaw, but fails to become truly memorable in what is really a star-making part. Ditto for Lisa Montell, who tries to seduce Paladin and gets to play a range of emotions in her relationship with Doroteo, but after working a lot in the 1950's, soon retired from acting after this. Still, the show is well scripted and well directed, and Boone makes it all work.
There's a big reveal at the end of this episode regarding Doroteo. The title of this episode should give you all the clue you need as to what that secret is.
But then the boy Doroteo (Rafael Campos) turns on Paladin, taking his gun and horse. Paldin walks to his new employer and discovers Doroteo is the reason the rancher wants him to get Soledad out of the country.
Campos is pretty good as the wild young Mexican outlaw, but fails to become truly memorable in what is really a star-making part. Ditto for Lisa Montell, who tries to seduce Paladin and gets to play a range of emotions in her relationship with Doroteo, but after working a lot in the 1950's, soon retired from acting after this. Still, the show is well scripted and well directed, and Boone makes it all work.
There's a big reveal at the end of this episode regarding Doroteo. The title of this episode should give you all the clue you need as to what that secret is.