(TV Series)

(1955)

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8/10
Enjoyable.
planktonrules11 July 2015
Although he's pretty much forgotten today, Frank Lovejoy played a lot of roles on 1950s TV--particularly hardboiled noir-types. Here he's not quite as tough but he's still very effective as a professor who gets himself into far more trouble than he'd anticipated.

It all begins with the professor teaching his class in criminology. He contends that eyewitness testimony is very unreliable by staging a fake crime in front of the whole class and then taking their eyewitness accounts--and showing how widely their versions varied. He also likes pushing his claim by appearing in countless police lineups--where he often is identified by witnesses as the criminal! No, he IS NOT on some wacky crime spree--but soon his little hobby bites him in the butt because this time there is evidence he might have committed murder and he's now having a hard time convincing the cops he didn't do it!

Overall, I liked this show for many reasons. The acting and writing were very nice but I also appreciate how it does expose how crappy eyewitness accounts can be--a serious concern that needs to be more widely known. Well worth seeing.
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9/10
Excellent TV Noir
gordonl5615 October 2014
Warning: Spoilers
STAGE 7 – The Deceiving Eye – 1955

This is the 1st episode of the one season run of the anthology series, STAGE 7. The series ran for 25 episodes during 1955. The headliner in this film noir like episode is, Frank Lovejoy.

Frank Lovejoy plays a criminology professor who is teaching a course on the unreliability of eye witness identification. To further his research, Lovejoy often volunteers for suspect line-ups with the local Police. He finds it amazing how many times he gets picked as the villain.

One night he volunteers and is picked again. This time there is evidence he killed his next door neighbour. A diary was found with his name in it. Then it turns out that his war trophy, Lugar pistol, was used to kill the young woman victim. Lovejoy is slapped behind irons to cool his heels while the Police interview witnesses.

Lovejoy, though, has a few pals on the force, Russ Conway and Ann Robinson who keep him up to date on the evidence. The main witness, Jean Howell, turns to be Lovejoy's landlady. Then it turns out that Howell's soon to be ex, John Seay, was having a round of horizontal cha-cha with the dead woman.

Lovejoy asks the local DA, John Warburton, if he could ask Howell and Seay a few questions. Lovejoy tells Warburton he is sure he can settle the issue one way or the other.

Lovejoy soon has Howell all tied up for arrest after catching her in a few lies. She had several details that only the killer would know. Howell was upset that her hubby, Seay, had fallen for a younger woman. Howell knew about Lovejoy's gun and figured him for a perfect patsy.

This is a pretty entertaining episode with nice work from the entire cast and crew. The look of the episode is also top flight, with master noir cinematographer, Nick Musuraca in charge. Musuraca was the d of p on noir such as, CAT PEOPLE, THE FALLEN SPARROW, DEADLINE AT DAWN, THE SPIRAL STAIRCASE, THE LOCKET, BLOOD ON THE MOON, WHERE DANGER LIVES, THE WOMAN ON PIER 13, THE WHIPHAND, ROADBLOCK and OUT OF THE PAST.
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