Diana Ratlidge (Lindy Booth) is haunted by the murder of her wealthy businessman father Max Ratlidge and her fiancé Brian Turner. She lives alone in the family mansion. Her testimony convicted the groundskeeper Louis Allen (Craig Olejnik). He escapes from prison and takes her captive. He maintains his innocence.
It's a simple premise but even simple premises need execution. It's highly unlikely that Louis escaped 100 miles away and still be wearing his orange prison jumpsuit. It becomes a two person play for the most part but the story lacks the subtle writing needed. At its most basic, the audience needs to question his guilt or innocence. Without any mystery, the story flatlines. It lacks the tension that the movie so sorely needs. There should be less evidence. At least, the video should be less clear. We need to question whether Louis is trying to gaslight Diana. Also if they can't write cops right, they should leave them out of it. It would be better if they're absent. This should be Hitchcockian but the filmmaking is nowhere near that level.
It's a simple premise but even simple premises need execution. It's highly unlikely that Louis escaped 100 miles away and still be wearing his orange prison jumpsuit. It becomes a two person play for the most part but the story lacks the subtle writing needed. At its most basic, the audience needs to question his guilt or innocence. Without any mystery, the story flatlines. It lacks the tension that the movie so sorely needs. There should be less evidence. At least, the video should be less clear. We need to question whether Louis is trying to gaslight Diana. Also if they can't write cops right, they should leave them out of it. It would be better if they're absent. This should be Hitchcockian but the filmmaking is nowhere near that level.