One Man Law (1931) Poster

(1931)

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5/10
Not What It Seems
boblipton13 May 2015
Buck Jones falls under the thrall of Robert Ellis, who has a scheme to have his land developed by farmers who think they own the land. He offers himself as a nice guy, returning to Buck his rig and horse lost in a rigged race. Everyone, including Buck, thinks Ellis is swell, until...

GetTV has been running a lot of early 1930s B westerns in magnificent prints. All too often, when looking at B westerns these days, you have to look at badly-printed multi-generational dupes. Although this one shows some chipping, the image quality is beautiful and except for a few stock shots shows beautiful composition and action shots.

Where this one falls a bit short is in the writing department. There's quite a bit of padding (there's a lot of silliness concerning runaway turkeys) and the usual annoying kid who is ingénue Shirley Grey's brother and who admires Buck enormously.

There's little that's terribly wrong with this movie and given some of the unwatchable prints that circulate, it's a pleasure. It's just that this one won't win any fans for B Westerns.
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6/10
Fair to Good Jones Western
mmipyle7 November 2019
Watched "One Man Law" (1932) with Buck Jones, Shirley Grey, Robert Ellis, Murdock MacQuarrie, and many more. Superb story, but told only middling well by director Lambert Hillyer. Usually Buck Jones is a wonderful actor, a gangling, though muscular, and very masculine, no nonsense sort of direct personality. Here he waffles a great deal in a shy manner around Shirley Grey and is nearly embarrassing in his attempts around her to try to show some affection. This occurs mostly in the beginning, and he's better later on. The story would have done better without Jones' love-making in the beginning. The rest is very interesting, and quite gripping. The story actually gets to the point where you see no way out for Jones at all in his predicament. He's a sheriff, but he must enforce a law that would make anyone angry! A land speculator has twice-sold - but only genuinely sold once! - land out west by way of dealers in Chicago. Now the people who bought the land from the Chicago-based baddies have come West to claim the land. Meanwhile, the people out west who are simply waiting for their deeds after having labored like dogs to work the land and own it, are being legally forced off these lands by the "rightful" owners. Jones is the law. He has to enforce this. Great story. Well told. Not always perfectly acted. Could have had better handling by Lambert Hillyer. Too bad. I'm a great fan of Jones in Westerns. This may have been an "A" from Columbia, but it plays more like a "B".
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7/10
"One Man Law" Is a Watchable Western from 1932
glennstenb7 June 2023
Warning: Spoilers
"One Man Law" is a nifty little effort, quite entertaining actually, but unfortunately the good story (written by the director Lambert Hilyer) would have probably worked better as a shorter 48-minute program dropped into an hour-long TV slot.

The opening 15 minutes takes place at a community fair and events contest and, although longer than need be, is actually well-appointed and captures the local rural flavor well.

Buck Jones was a capable actor and in this one is called upon to exhibit sadness, regret, frustration, and surprise, which he indeed does. But he seems to have trouble expressing his scenes with Shirley Grey, his love interest. Shirley at this time was just coming on and was busily in demand, appearing in ten films in 1932. I have a feeling that Jones and Grey did not spend time in rehearsal and when it came time to do these love scenes they were ill-prepared and that is what we are seeing here; Jones is definitely not convincing and seems a little confused. Remember, too, that second takes were a luxury not often afforded in these little western gems.

Especially well done were the crowd scenes, wherein the players all seem to do their parts to perfection. Big Richard Alexander, as citizen Sorenson, for example, is nicely animated when seen at a distance during some of the crowd scenes.

The most memorable moment might be the almost over-the-top scene when Jones carelessly causes what seems to be a fateful parting of himself and Silver. It is a surprise to think that a scene such as this could have been included for such a strong cowboy hero, particularly in a film genre where the heroes rarely, if ever, show tearful emotion. Runner-up is the madcap scene where Jones drags a witness through the dusty street by his hand to the judge's office.

In sum, although "One Man Law" is a good entry in the Book of Buck Jones westerns, it could have been even more satisfying if more care had been given it during production. But it nonetheless is watchable and worth your while.
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