After some disappointments so far in the Countdown to Christmas, I was looking forward to this movie because it featured our (my wife and I's) favorite male lead in Ryan Paevey.
We immediately noticed the visually poor pairing with Janel Parrish, who is too young, short, and frankly, not in Ryan's league. However, Janel usually plays energetic, adorable characters, and so we hoped that her character would overcome the superficial disparity between the leads.
Unfortunately, this movie went the opposite way. Instead of Paige, the main female character, winning Dylan, the male lead, and us over with her charm, passion, joy, and kindness, she spends at least the second half of the movie angry at Dylan for no good reason, while he makes the situation worse, and even more unrealistic, by repeatedly apologizing for something that wasn't his fault. The final half hour of the movie is essentially Dylan moving heaven and earth to please Paige, even though there is no clear indication that she deserves it.
Maybe I'll sweeten slightly to this movie with repeated viewings, but my first impression is that this movie never overcomes this manufactured conflict or its rather one-sided resolution.
Unfortunately, we are seeing a trend in 2021's slate, at least early, that started in bombastic fashion in "Boyfriends of Christmas Past." The issue is that the female lead often represents a ultra-modern feminist view that every woman deserves a great guy, regardless of her actual actions towards that guy. The female leads are brimming with entitlement while the male leads are going into full simp mode. That is NOT romance.
We immediately noticed the visually poor pairing with Janel Parrish, who is too young, short, and frankly, not in Ryan's league. However, Janel usually plays energetic, adorable characters, and so we hoped that her character would overcome the superficial disparity between the leads.
Unfortunately, this movie went the opposite way. Instead of Paige, the main female character, winning Dylan, the male lead, and us over with her charm, passion, joy, and kindness, she spends at least the second half of the movie angry at Dylan for no good reason, while he makes the situation worse, and even more unrealistic, by repeatedly apologizing for something that wasn't his fault. The final half hour of the movie is essentially Dylan moving heaven and earth to please Paige, even though there is no clear indication that she deserves it.
Maybe I'll sweeten slightly to this movie with repeated viewings, but my first impression is that this movie never overcomes this manufactured conflict or its rather one-sided resolution.
Unfortunately, we are seeing a trend in 2021's slate, at least early, that started in bombastic fashion in "Boyfriends of Christmas Past." The issue is that the female lead often represents a ultra-modern feminist view that every woman deserves a great guy, regardless of her actual actions towards that guy. The female leads are brimming with entitlement while the male leads are going into full simp mode. That is NOT romance.